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William George Horner invents the zoetrope which resembles a projector.
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Eadward Muybridge streams together photos of a galloping horse resulting in what appears to be a simple movie.
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"Chronophotographic" camera is brought about by Etienne Jules Marey. In the shape of a gun, this camera is able to capture twelve successive images per second.
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Nitrate celluloid film invented by American Hannibal W. Goodwin.
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George Eastman introduces the "Kodak" camera and trademarks the name.
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Frenchman Louis Augustin Le Prince creates camera with single lens. He then uses this invention to make a picture sequence of traffic on a bridge in London.
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Henry Reichenbach develops and patents roll film.
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William Kennedy Laurie Dickson builds first camera resembling those used in modern motion-pictures.
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In the summertime of 1892, Edison and Dickson construct a camera that feeds film vertically. The film used in this invention sets up the future for 35 mm film guage.
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The Black Maria, world's first motion picture studio, is built in West Orange, NJ.
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World's first film exhibition takes place at Brooklyn Institute of Arts and Sciences.
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A short film entitled "Carmencita", feauturing a Spanish dancer of the same name, shows a woman's legs as she dances and spins. This became one of the earliest examples of censorship in film.
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Charles Francis Jenkins, using a Phantoscope, projects a film onto a screen for an audience.
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Two French brothers, Auguste and Louis Lumière, invent the Cinématographe (essentially a combination between a small camera and projector). With this device, they create the first-known comedy, called in English, "The Sprinkler Sprinkled".
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At a storefront theatre in New York City, a boxing match is viewed by a paying audience.
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First ever cinematic kiss is made, involving May Irwin and John Rice.
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Camera operators in Cuba, unable to capture scenes of Spanish-American war, return to studios and use models/painted backdrops. Scale-model effects begin.
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Known as the "Father of Special Effects", Georges Méliès introduces disappearances and double exposures in his 400th film, "Le Voyage Dans La Lune (1902)"
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Using multiple camera positions and on location shooting, The Great Train Robbery (1903) is one of the first films to incorportate modern filming techniques.
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Mercury lamps, created by Cooper Hewitt, allow scenes to be filmed inside without sunlight.
