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She is born to Keziah Corinne Wims and David Anderson Brooks.
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“I felt that I had to write. Even if I had never been published, I knew that I would go on writing, enjoying it and experiencing the challenge.” -Gwendolyn Brooks
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Brooks was influenced by both of these writers to pursue poetry.
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"No white poet of her quality is so undervalued, so unpardonably unread. She ought to be widely appreciated...as one of our most remarkable woman poets..." -James M. Johnson of Ramparts (In response to A Street in Bronzeville.
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This won Poetry Magazine's Eunice Tietjens Prize.
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"Brooks became one of the most visible articulators of "the black aesthetic"". -William Blakely 1967
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This is considered one of her first poems to feature a stronger sense of political activism. "Not only has she combined a strong commitment to racial identity and equality with a mastery of poetic techniques, but she has also managed to bridge the gap between the academic poets of her generation in the 1940s and the young black militant witers of the 1960s". -George E. Kent (In response to In the Mecca)
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One of Brooks' earliest, more politicall active poems that discusses the riots in Chicago after the assasination of Martin Luther King Jr.
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