MUSIC

  • Period: 100 BCE to 50

    The Epitaph of Seikilos

    Is the oldest complete surviving Greek musical composition. Found on a tombstone in Aydin, Turkey, in 1883, it includes both lyrics and musical notation, serving as a memorial and conveying a timeless message about the fleeting nature of life and the importance of enjoying the present.
  • Period: 590 to 604

    Gregorian chant

    is a monophonic, unaccompanied sacred song of the Roman Catholic Church, developed from the 6th–7th centuries and traditionally linked to Pope Gregory I . Standardized with neumes by the 9th–10th centuries, it became central to medieval liturgy and influenced later Western music.
  • Period: 991 to 1033

    Guido d’Arezzo

    Was an Italian Benedictine monk and music theorist who revolutionized musical notation. He developed the four-line staff, introduced solmization , and created methods that allowed singers to learn chants more quickly and accurately. His innovations laid the foundation for modern Western musical notation.
  • Period: 1098 to 1179

    Hildegard von Bingen

    Was a German Benedictine abbess, composer, writer, and visionary. She is renowned for her sacred monophonic chants, which are highly original and expressive, as well as her writings on theology, medicine, and natural science. Hildegard’s music and intellectual contributions make her one of the most influential figures of the High Middle Ages.
  • Period: 1130 to 1190

    Bernart de Ventadorn

    Was a French troubadour from the region of Limousin, famous for composing and performing courtly love songs in Occitan. His work exemplifies the troubadour tradition of the 12th century, influencing both poetry and music in medieval Europe.
  • Period: 1155 to 1200

    Leonin

    Was a medieval composer of the Notre Dame school in Paris, active during the late 12th century. He is credited with compiling and composing the Magnus Liber Organi, a collection of early polyphonic music (organum) for two voices, laying the groundwork for later composers like Perotin. His work represents one of the earliest significant developments in Western polyphony.
  • Period: 1170 to 1320

    Ars Antiqua

    Refers to the style of European medieval music that developed in the late 12th century and lasted until the mid-14th century. It is associated with the Notre Dame school of polyphony in Paris and is characterized by the development of early rhythmic notation, organum, and motets.
  • Period: 1190 to 1220

    Perotin

    Was a medieval composer associated with the Notre Dame school in Paris, active during the late 12th and early 13th centuries. He is known for developing polyphonic music and expanding the use of organum, creating works for three or four voices, which represented a major advance over earlier styles.
  • Period: 1221 to 1284

    Alfonso X el Sabio

    Was a king of Castile, León, and Galicia who promoted culture, science, and the arts. He is particularly famous for encouraging the creation of the Cantigas de Santa Maria, a large collection of medieval monophonic songs in Galician-Portuguese devoted to the Virgin Mary, as well as for advancing history, law, and astronomy in his kingdoms.
  • Period: 1300 to 1377

    Guillaume de Machaut

    Was a French composer and poet of the Ars Nova period. He is renowned for his polyphonic sacred music, including the Messe de Nostre Dame, one of the earliest complete settings of the Mass by a single composer, as well as his secular songs like rondeaux, virelais, and ballades. Machaut’s work had a lasting influence on the development of Western music.
  • Period: 1310 to 1370

    Ars Nova

    Was a style of medieval European music that emerged in early 14th-century France. It is characterized by innovations in rhythmic notation, allowing greater complexity and flexibility than the earlier Ars Antiqua, and by the development of isorhythms, motets, and secular songs. Key figures include Philippe de Vitry and Guillaume de Machaut, whose works exemplify the style. Ars Nova significantly influenced the transition to later Renaissance music.
  • Period: 1325 to 1397

    Francesco Landini

    Was an Italian composer, organist, and poet of the Trecento (14th century). He is famous for his secular polyphonic songs, particularly ballate, and for being one of the most celebrated composers of Italian medieval music. Landini was also known as an accomplished organist and for innovations in melodic style.
  • Period: 1400 to 1468

    Johannes Gutenberg

    Was a German inventor and printer who introduced movable type printing to Europe, revolutionizing the production of books and the spread of knowledge. His most famous work, the Gutenberg Bible , marks the beginning of the print revolution in Europe, significantly impacting literacy, education, and culture.
  • Period: 1468 to 1530

    Juan del Encina

    Was a Spanish composer, poet, and playwright, considered one of the founders of Spanish secular drama. He is known for his villancicos and early theatrical works, combining music and poetry, which laid the groundwork for later Spanish Renaissance music and theater.
  • Period: 1483 to 1546

    Martín Lutero

    Was a German theologian, monk, and reformer who initiated the Protestant Reformation by challenging the Catholic Church, famously publishing his 95 Theses in 1517. He also contributed to music by promoting congregational singing and hymnody.
  • Period: 1500 to 1553

    Cristóbal de Morales

    Was a Spanish Renaissance composer, famous for his sacred music, especially masses and motets. He served in the chapel of the Papal Basilica in Rome and at the Spanish royal court, and his music is noted for its expressive polyphony and influence on later Spanish composers.
  • Period: 1510 to 1566

    Antonio de Cabezón

    Was a Spanish composer and organist of the Renaissance, renowned for his keyboard music, including tientos, diferencias, and glosas. Blind from early childhood, he served the Spanish royal court, influencing the development of instrumental music in Spain and across Europe.
  • Period: 1532 to

    Andrea Gabrieli

    Was an Italian composer and organist of the late Renaissance, active in Venice. He was known for his sacred and secular choral music, as well as for innovations in polychoral techniques, which influenced the Venetian School and later composers including his nephew Giovanni Gabrieli.
  • Period: 1532 to

    Orlando di Lasso

    Was a Franco-Flemish composer of the Renaissance, famous for his sacred and secular polyphonic music, including masses, motets, madrigals, and chansons. He worked at the court of Munich and was renowned for his expressive style and versatility, becoming one of the most influential composers of 16th-century Europe.
  • Period: 1544 to

    Maddalena Casulana

    Was an Italian composer, singer, and lutenist of the Renaissance, recognized as the first woman to have her music published. She is known for her madrigals, which display expressive harmony and counterpoint, contributing significantly to the Italian madrigal tradition.
  • Period: 1548 to

    Tomás Luis de Victoria

    Was a Spanish composer of the late Renaissance, renowned for his sacred polyphonic music, including masses, motets, and hymns. His works are celebrated for their expressive intensity and mastery of counterpoint, making him one of the most important Spanish composers of his time.
  • Period: 1557 to

    Giovanni Gabrieli

    Was an Italian composer and organist of the late Renaissance and early Baroque, active in Venice. He is famous for his polychoral sacred music and innovations in instrumentation and dynamics, bridging Renaissance and Baroque styles, and influencing composers across Europe.
  • Period: 1566 to

    Carlo Gesualdo

    Was an Italian nobleman and composer of the late Renaissance, famous for his highly expressive madrigals and advanced use of chromaticism. His music was emotionally intense and experimental, influencing later composers despite being largely unique for his time.
  • Period: 1567 to

    Claudio Monteverdi

    Was an Italian composer, singer, and theorist, bridging the Renaissance and Baroque periods. He is famous for developing early opera, including L’Orfeo, and for his madrigals and sacred music, pioneering expressive techniques that influenced the evolution of Baroque music.
  • Period: to

    Giacomo Carissimi

    was an Italian Baroque composer, renowned for his oratorios, cantatas, and sacred music. He played a key role in the development of the oratorio as a major musical form and influenced many composers throughout Europe, particularly in Germany and France.
  • Period: to

    Strozzi Barba

    Was an Italian Baroque composer and singer, renowned for her vocal music, including arias, cantatas, and madrigals. She was one of the most prolific female composers of the 17th century, publishing several volumes of music during her lifetime and contributing significantly to secular vocal repertoire.
  • Period: to

    Stradivarius

    Was an Italian luthier from Cremona, renowned for crafting violins, violas, cellos, and other string instruments of exceptional quality. His instruments, known as Stradivarius, are celebrated for their unmatched sound and craftsmanship and remain highly prized by musicians worldwide.
  • Period: to

    Henry Purcel

    Was an English Baroque composer, renowned for his sacred music, operas, and instrumental works, including Dido and Aeneas and the King Arthur semi-opera. He is considered one of the greatest English composers of the Baroque era, blending Italian, French, and English styles.
  • Period: to

    Antonio Vivaldi

    Was an Italian Baroque composer, violinist, and teacher, best known for his concertos, especially The Four Seasons. He worked primarily in Venice, composing over 500 concertos, operas, and sacred works, and greatly influenced the development of the concerto and Baroque orchestral music.
  • Period: to

    Georg Philipp Telemann

    Was a German Baroque composer and one of the most prolific composers in history, creating cantatas, operas, orchestral suites, and chamber music. He held important positions in Hamburg and other German cities and influenced contemporaries including Johann Sebastian Bach.
  • Period: to

    Johann Sebastian Bach

    Was a German composer, organist, and violinist of the Baroque period, renowned for his instrumental and vocal music, including the Brandenburg Concertos, The Well-Tempered Clavier, and numerous cantatas. His mastery of counterpoint, harmony, and musical form made him one of the most influential composers in Western music history.
  • Period: to

    Georg Friedrich Händel

    Was a German-British Baroque composer, famous for his operas, oratorios, and instrumental works, including Messiah and Water Music. He spent much of his career in London, combining German, Italian, and English musical traditions, and became one of the most celebrated composers of his time.