Molière

By M4ri4V
  • Birth

    Birth

    Jean-Baptiste Poquelin, later known as Molière, was born on January 15, 1622, in Paris, France. His father was a wealthy upholsterer of the royal household, giving him an early glimpse into upper class life and the absurdities of it.
  • Period: to

    Studies at the Collège de Clermont (Paris)

    He studied at the prestigious Jesuit Collège de Clermont, where he received a strong education in Latin, philosophy, and classical literature. His exposure to ancient comedies by Platupus and Terence inspired his later works. There he learned Latin, philosophy and classical drama, which also influenced him later on
  • Begins studying law

    Begins studying law

    Following his father’s wishes, Molière studies law and briefly works as a lawyer. However, he soon loses interest and turns towards theater.
  • Founding of L’Illustre Théâtre

    Founding of L’Illustre Théâtre

    Molière teamed up with actress Madeleine Béjart and others to create the Illustre Théâtre in Paris. This marked the start of his life as both actor and playwright, though the company initially struggled financially
  • Imprisoned for Debt

    Imprisoned for Debt

    When the theater went bankrupt, Molière was imprisoned for debt at the Châtelet prison. After his release, he joined a traveling troupe, which helped him refine his skills and gain experience.
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    Touring years

    For twelve years, Molière and his troupe toured southern France, performing in towns and at noble estates. These years taught him how to please audiences and shaped his sense of comedy.
  • Writes L’Étourdi (The Blunderer)

    Writes L’Étourdi (The Blunderer)

    During his touring period, Molière wrote L’Étourdi, a lively farce about confusion and mistaken identity. It became one of his earliest major successes and showed his talent for clever plots.
  • Returns to Paris

    Returns to Paris

    Molière returned to Paris with his troupe and performed before King Louis XIV at the Louvre. The King’s support earned him prestige and opportunities to perform regularly in the capital.
  • Les Précieuses ridicules

    Les Précieuses ridicules

    His play The Affected Ladies mocked the overly refined manners of Parisian high society. It was a huge success and established Molière as a brilliant new voice in French comedy.
  • Moves to Palais-Royal Theatre

    Moves to Palais-Royal Theatre

    With royal favor, Molière’s company moved into the Palais-Royal Theatre, one of the most prestigious venues in Paris. This would be the main stage for his future plays.
  • Marriage and L’École des femmes (The School for Wives)

    Marriage and L’École des femmes (The School for Wives)

    Molière married Armande Béjart, a much younger actress, and wrote The School for Wives, which explored jealousy and marriage. The play’s daring ideas about women’s education sparked public debate and scandal.
  • La Critique de L’École des femmes

    La Critique de L’École des femmes

    To defend himself from critics, Molière wrote this witty response play. It cleverly mocked those who had attacked The School for Wives and turned the controversy into more comedy.
  • Tartuffe (The Hypocrite)

    Tartuffe (The Hypocrite)

    Tartuffe exposed religious hypocrisy and false devotion, angering church officials who banned it. Despite this, Louis XIV personally supported Molière and allowed later versions to be performed
  • Dom Juan (Don Juan)

    Dom Juan (Don Juan)

    Molière’s bold and dark comedy Dom Juan portrayed a rebellious nobleman who defies religion and morality. It was quickly censored for its irreverence but remains one of his most complex works.
  • Le Misanthrope

    Le Misanthrope

    Considered one of his greatest plays, The Misanthrope explores honesty and social hypocrisy through the character of Alceste. Although it wasn’t an immediate hit, it is now viewed as a masterpiece of character comedy
  • L’Avare (The Miser)

    L’Avare (The Miser)

    This sharp satire of greed centers on Harpagon, a man obsessed with money above all else. The play combines humor and realism, showcasing Molière’s mastery of human flaws.
  • Le Bourgeois Gentilhomme (The Bourgeois Gentleman)

    Le Bourgeois Gentilhomme (The Bourgeois Gentleman)

    Created with composer Jean-Baptiste Lully, this play mocked middle-class people who try to imitate nobility. It blended spoken comedy with music and dance, becoming a royal favorite.
  • Psyché

    Psyché

    Molière collaborated again with Jean-Baptiste and poet Pierre Corneille on this lavish production. Mixing mythology, music, and spectacular stage effects, it reflected the grandeur of Louis XIV’s court
  • Le Malade imaginaire (The Imaginary Invalid)

    Le Malade imaginaire (The Imaginary Invalid)

    In this comedy where a man id obsessed with illness, Molière played the main role himself. Ironically, during the fourth performance, he collapsed on stage and died shortly afterward on February 17, 1673.
  • Death

    Death

    During the fourth performance of The imaginary invalid, Molière collapsed in stage and died shortly afterwards. It was later found out he died of a pulmonary Hemorrhage (bleeding in the lungs) brought on by tuberculosis (A chronic lung disease he had suffered for years). His death was one of the most famous in theatre because he died in his own play as the “sick man”.
  • Burial controversy and legacy

    Burial controversy and legacy

    Because actors were denied Christian burials, Molière was buried at night in unconsecrated ground. Years later, he was reburied with honor, and his plays became classics of world literature.