| Event Date: | Event Title: | Event Description: | |
|---|---|---|---|
| 03/01/1950 | C. S. Lewis - First volume of Chronicles of Narnia | ||
| 03/01/1953 | Ian Fleming - Casino Royale | ||
| 03/12/1953 | Samuel Beckett - Waiting for Godot | ||
| 03/12/1953 | William Golding - Lord of the Flies | ||
|
03/01/1954 | J.R.R. Tolkien - The Lord of the RIngs - Fellowship of the Ring | |
| 03/12/1962 | Anthony Burgess - A Clockwork Orange | ||
| 03/12/1962 | Doris Lessing - The Golden Notebook | ||
| 03/01/1964 | Roald Dahl - Charlie and the Chocolate Factory | ||
| 03/01/1968 | John Fowles - The French Liutenant's Woman | ||
|
03/01/1969 | Muriel Spark - The Public Image | |
|
03/01/1973 | J.G. Ballard - Crash | |
| 03/12/1980 | William Golding - Rites of Passage | ||
|
03/01/1989 | K. Ishiguro - The Remains of the Day | |
|
06/30/1997 | J.K. Rowling - Harry Potter and the Philosopher's Stone | |
| Timespan Dates: | Timespan Title: | Timespan Description: | |
| 01/01/1950 to 03/01/2010 |
Assigned time | ||
| 03/01/1958 to 03/01/1962 |
Birth of kitchen sink realism | Kitchen sink realism (or kitchen sink drama) is a term coined to describe a British cultural movement which developed in the late 1950s and early 1960s in theatre, art (the term itself derives from an expressionist painting by John Bratby), novels, film and television plays, whose 'heroes' usually could be described as angry young men. It used a style of social realism which often depicted the domestic situations of working class Britons to explore social issues and political controversies. |
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